Category: 100 paintings

Resolve to Reach Goals in the New Year

The new year is well under way now. What do we think of resolutions? Do you make resolutions for the new year? Are they possible to keep anyway?

Some people love making resolutions, mostly in the form of losing weight or exercising more, things which we all should be conscious of anyway. I am not a fan of resolutions. Maybe a better word to use is “goals.” Now I can get behind something that feels like I can reach for and attain it.

But don’t we need to RESOLVE to find a way to reach our GOALS? Maybe that’s a better suggestion. It makes me think of my process, as in HOW will I reach my goal? With what trick will I help myself move forward?

My brain hurts from all the thinking.

Last year I decided to try painting 100 paintings in the year with the goal of developing a painting habit, building a current body of work, and testing my skills in watercolor paints. I am at painting #44 in the challenge, not anywhere near 100 works. Okay, so I started the challenge a couple of months into the year. If I’m going to get there I need to step it up, pronto.

This year’s goals are much the same as last year: Keep working at it. Push the process. Stay in the moment. Plan. Prepare. Paint. Cruise.

Hour by hour, day by day is the best I can hope to do. If I push myself too hard I end up backward into the wall. I want to gently guide my inner-child-artist forward. Paint almost every day, remember to take a short weekly Artist Date, keep calm and stop whining about not having enough time for everything.

There’s plenty of time, and no time like the present. And time will march on without us if we let it.

Found: Some Time to Paint

Winter Nest ©2011 Dora Sislian Themelis
10×14 Watercolor on Arches paper

With not much time to give to painting, I stole about 45 minutes from a busy day to paint this still life again. It’s already out and available so it was a no brainer to just go to it. Yes, this one took a little longer to complete.

The method of painting quickly that I’ve managed to work out is keeping me in the game. The least amount of water possible doesn’t saturate the paper allowing me to move on to another area of the work while the just painted area dries. Once dried I go back and add details. The pace moves fairly quickly.

Christmas is fast approaching and there are things that must get done. Painting is one of the things that just may not happen again for a little while. So the fact that I was able to squeeze it in is a big deal.

Sunflower Painting is Finished, and What I Learned

It’s Friday and time to show you photos of the latest finished watercolor painting. I had some other fun news to share, but you will have to wait. Painting is happening and the sooner I get this one out of here the easier it will be to get the next one working and I will tell you what was so much fun.
First twenty minutes

There were a few things I learned while painting this work. Firstly, the height of my art table is too high. The dining room table is lower when I painted there, waist level while standing. This was not comfortable and I felt as if I couldn’t get away from it by standing or sitting on a stool. It will need to be lowered if I’m going to paint there.

Secondly, the desk lamp is not natural even though I have a daylight bulb and an incandescent one. It’s just way to bright and also too close to the work to gauge paint colors the way I wanted. I persevered.

Second twenty minutes
The third thing I learned is about the paper. After using Lanaquarelle, then Arches, I can tell the difference in quality. I bought this Canson tablet on sale, it was larger than I was using, and figured it’d come in handy when I was ready to work larger. 
Also it’s a pad, not a block, and if not affixed to a surface it curls and rolls when wet. The painting surface is not that great either, leaving weird brush strokes. Well, I guess it’s okay if you want those brush strokes to show. 
I’m using two different paint companies, MaimeriBlue and Windsor&Newton. When I painted a layer over an area previously painted, the layer beaded up. Was it the paint? Was it the paper? Or does that happen? I thought it was strange.
Blue Vase With Sunflowers ©2011 Dora Sislian Themelis
15×20 Watercolor on Canson paper
After I finished I took photographs while the work was still attached to the table. My problems were the same I had while painting: unnatural and too bright light, too close to get a good shot. I took the painting off the table, went to the dining room table and the nice northern exposure picture window to take a photo. See the difference? Washed out color in artificial light, more true to the paints in natural light.
The fourth thing I learned is that I’m getting comfortable using my photos to paint from. I don’t want to get too cozy because then it’ll take time to get back to painting from life.
I’ll figure it out one of these days. In the meanwhile I’m still in the game. 

The Shell Has Company!

Shell Has Company 7×10 Watercolor on Arches paper
©2011 Dora Sislian Themelis

Isn’t it nice that my beach shell has found itself in another painting with company? I don’t know what it is about that shell that I seem to paint it so often.

Maybe it reminds me of the day at the beach when I found it? Maybe it’s because of the little bit of seaweed that clings to the underside? Is it because it’s cracked?

Then there’s the apple. I’m intrigued by the different colors I find in every apple I paint. The veggie share gave me this pumpkin-type thing. I like the color of it.

Whatever pulls me, I must oblige.

I had planned to paint this still life set up larger, but guess what? No paper! The small Arches block I was saving to take with me on painting excursions was ready and waiting, so that’s what I used instead. A trip to the art supply store will have to happen sooner rather than later.

Twenty minutes of painting this and I was finished. Damp brush, not a lot of water, and sketching is possible. I used two brushes, a medium large round and a small outline type brush, to paint with. We all have many different brushes, but lately it’s been these two. Funny how we can pare down to get the most out of a minimum of items to work with.

It’s like having a closet full of clothes, and I only wear the same ten or so items all the time.

The same thing with painting. All the colors on the palette and I keep using the same five colors, and these two brushes.

Anyway, I painted. It’s a reason to cheer! Except I won’t because I never know when Mr. Resistance will turn the corner. Shhhhhh.

Process Leads to Finished

Four Sunflowers 14×20 Watercolor on Lanaquarelle paper
©2011 Dora Sislian Themelis

You see, the process, when implemented by the twenty minute time slots, leads to finished product. It’s a coincidence that I just read something to the effect that artists with a day job should fit creativity time in their day just like this. They should set a timer for twenty minutes and push headlong into painting, or whatever.

Amazing!

I finished this today. Believe me, if I don’t put it away right now I will find some other spot to play with on this work. After I took this photograph I made a small area of the background darker to pop the yellow flower petals a little bit more.

That is my downfall. I tell myself I’m finished and then after I clean the brushes and my palette I spy an area I think needs a flick of the brush. Many a work has been ruined by such impulsiveness.

Forget it, I’ve already uploaded this photo and that’s it. The little brush stuff I just did will have to be discovered by someone else, hopefully a happy art collector.

Just putting it out there into the Universe, hoping the Universe hears that little plea for a buyer to show up and give a nice painting a new home. That’s all.

Painting Photo for Friday

Cooper’s Farm ©2011 Dora Sislian Themelis
14×20 Watercolor
Finished another watercolor painting! I am on a roll. Actually, I just wanted this one done with. When I am ready for something else I get antsy to finish and continue. Not like other times when I don’t even touch the paints. No, I am trying to behave and keep working.
For each painting session I was still using twenty minute segments, letting the work dry in between. And here I am painting from photographs, too. There was a time I just couldn’t do that. The subject had to be live. But the blue tractor was adorable, and I liked the scenery. So there you go.

Now I’m over it. 

Don’t Prolong the Process

Peach at the Beach with Two Shells, 14×20 Watercolor
©2011 Dora Sislian Themelis

If I continue painting on this work I am going to trash it! I am done, done, done! Finished! Telios! C’est Finis! This was the end of the road for the peach at the beach.

I worked on this for the allotted twenty minutes today, let it dry, then started to dig in with some details. What a mistake that was. There is just so much I could do to show these items were sitting on the sand. How do you really make sand look like sand? It isn’t easy, and things could get dicey. Again.

I am done with this! Yeah!

Using a really small brush, I began to paint in some dark shadows in the sand and that’s where the trouble started. I had to stop myself before ruining this painting.

Overall, the result of the process came off as I wanted it to. The peach pops, as well as the shells. Eh, the sand shadows are passable. It just had to be over. I didn’t want to prolong the torture any longer.

As soon as this is completely dry I am going to free it from the watercolor block and put it away. #37 in the 100 paintings challenge is finished.

Next!

Getting Over the Hump

New work begins

Wednesday is hump day. As in the day in the week that gets us over the hump and into the weekend stretch. Not my favorite day. It only means the quiet will be ending and the hubbub, noisy weekend stuff begins.

My favorite day, as I’ve said many times already you’re probably bored of it, is Monday. Sweet Monday. The day everyone returns to normal.

Anyway, don’t pay any attention to me. I am just trying to distract myself from the to-do’s and painting with idle chatter from my brain. It’s noisy up in there.

After finishing the last painting, I had to find a subject for the next one. The 100 Paintings Challenge is waiting. There were a few more photos of my peach at the beach and I decided to just plow in with one of them. And yeah, it’s Wednesday. I lost a few days fooling around with a stomach bug and I need to make up time.

And right now I don’t have a lot of that. Painting #37 is waiting.

Photo for Friday and More

Afternoon Sunflowers, 14×20 Watercolor
©2011 Dora Sislian Themelis

The latest watercolor painting is finished. Twenty minutes of painting time has it’s merits, and it’s detractions.

On the one hand, painting for twenty minutes keeps me in line. I can’t get too busy in the details to end up trashing my work. It helps that I must step away from the painting to see it better and decide where to work next. And then there’s the drying time. All good things so far.

On the other hand I could walk away after twenty minutes of painting and quite possibly never go back. That could last a couple days and I’ll never finish the work so I could start another. I’m not the type of person to have a couple of paintings working at the same time, so that’s not helpful. I turn to jewelry or knitting if I’m not painting the latest piece. Kind of not good.

All in all the time limit thing has been positive. Ok so, I’m not cranking out painting after painting on a regular basis, or enough to paint the 100 paintings in the year. I’m working toward that goal, but anything could derail that plan.

I made a commitment, and I’d like to see it through, but the larger I paint the less work that gets done. Rather than paint little paintings, which are fine, I want to open up and work larger. Packing a lot of painting on a small surface sometimes doesn’t do justice to the work. Little by little I’m working it up in size.

Can twenty minutes translate on a larger surface? With the right brushes, subject, and mindset, maybe it’s a Yes. Could I push myself to work every day for the twenty minutes? Or, work all day on one work twenty minutes at a time? I just don’t know about that, Artist A.D.D. and all.

Two More Sunflowers

Two Sunflowers (c)2011 Dora Sislian Themelis
14×20 Watercolor on Lanaquarelle paperr
Motivation comes in strange ways. I need to have my painting implements staring me in the face to be able to feel like working on the art. After reading everything I have, and taken the great workshop last weekend, what is it with the resistance?
I must admit making painting a daily habit is working more than not working. At least I know in the back of my mind I have painting to do. At some point in my day it will happen. There is no such thing as painting all day long. No such thing. You just have to try to go to the studio, or the dining room table, and get to work.
There are a few more sunflower photographs I have at the ready. This is another that I started painting. Here is the progression from sketch to dropping in color. I allowed myself those precious twenty minutes of time and stopped.

Twenty minutes of painting time is the best thing I ever started doing. I get to paint every day, sort of, and stop myself before I make a mess of things. Rather than get bogged down in detail, which was my hallmark, I know I don’t have too much time so I am use brush strokes and color to say what I need to say.

I could have stopped at this session, but I felt that the work needed just one more go to make me feel as if the painting was finished. Each time after the paint dried I felt different about my work. Something about how the paper flattened back down, how the colors looked, gave me confidence I was on the right track.

If I had kept on going past the twenty minutes I might have had to throw it out, as I have done before. I am master of my domain! Yeah, right.