Plodding in the Painting Process

Everyone comes to their process differently. How an individual weaves their way through the day to come out at the other end with a finished product is as varied as each person’s character and ability.

Some of us plod. Some procrastinate. Others push. And some fly. I wish I could fly.

Me? I plod.

Twyla Tharp wrote about her process in her book The Creative Way, that she needs some little thing to start the process, an action that signals her brain to begin the chain of events that lead to working.

Many artists are working alone and not punching a clock. There is no boss who eyes us if we don’t show up on time. We are our own boss, and as such, might give ourselves the day off if we should so desire.

It’s no surprise that things can quickly fall by the wayside just because we suddenly have the urge to veer off in a direction that has nothing to do with creating our work.

Um, yeah, painting is work. (But don’t ask The Mr. if painting is my work. He’ll frown and look at me sideways.)

My day always has a plan. The to-do list is ready from the night before, but is tweaked first thing in the morning. Painting is always first on that list.

With morning activities done, the family out, and the house finally in order, it’s office time. Emails, updating, uploading, and all things computer related. Then there might be errands. By now it’s noon.

Have I headed to the studio to paint by now? No. I’m plodding through the day, trying to avoid resistance mode.

It can be mid-afternoon by the time I get to the item #1 on the list. I’m still looking for that little action that signals it’s time to get the ball rolling.

This past week I was determined to push, rather than plod, to paint. I cleared my day as fast as I possibly could. The weather was beautiful, but I knew I had been slacking and decided to bring the painting equipment outside to work in the garden rather than from photos in the studio.

Afternoon Garden ©2012 Dora Sislian Themelis
18×24 Watercolor, Arches cold press paper

Painting in the garden allowed me to enjoy the summery weather and work at the same time. Working the brush quickly I did my best to lay in all the colors and shapes I wanted before I lost momentum.

Once the work begins it goes well, I’m in the zone, the process of painting is satisfying and the end is agreeable to me.

Still, I’d rather not plod through the process.

Out in the Garden with Arches and Me

Inspired by the photos of the azaleas and the beautiful weather a few days ago, I went into the garden to fool around with my paints.  My back yard garden is really shady.  It only gets direct sunlight in one little corner by the entrance gate and it’s a great spot when other flowers are in bloom.  In the summer that corner is sweltering hot.  I just can’t sit there too long and the shady areas are a blessing!  The other day the shady parts were freezing cold and this sunny corner was perfect for me to spend some time.  Until I figured all that out took time too!  But I was determined to be outside in the weather and paint.

The Arches paper was calling my name when I went to the studio to get the paints and brushes.  So I decided Why not?  I’ll play with the new paper and see what it does.  I must say it was lovely to work on.  The paper took the paint well and I could use a lot of water if I wanted.  I’m sure that I’m going to enjoy working with Arches paper when I plan the next work.  I’ve been using Maimeri Blu watercolor paints and I found that some of the colors are different than other companies.  The alizarin crimson is not as deep as the Windsor Newton I’ve used and neither is the Burnt Sienna.  Those are two favorites I seem to go for and these aren’t the same.  The salesperson at the art supply shop said they may be hues of the colors so I bought them last trip.

Anyway, the point is I went out and painted with no agenda other than to paint.  The process was the focus.  And let me tell you, I was out there painting away, going for colors, not thinking where I was, who I was, or why.  It was as if nothing existed but the sun, the paper, the paint and me.  Can I say Heaven?  Yes.  I had no idea what was happening in the world and it was divine.  I was totally out of my head and on vacation!

The azaleas were fully in bloom, the shadows the tall trees made were deep and dark.  The sunny spot I was in reflected off the grass near my feet.  I didn’t know what to paint first so I just threw paint where I felt it should go.  A monarch butterfly came by and landed on the hosta nearest to me and I drew it in. 

It was really an amazing afternoon in the garden painting away, no matter what the outcome.  I can’t wait to do that again!