Category: painting for twenty minutes

To Beat Resistance: The Timer Is My Friend

©2011 Dora Sislian Themelis

Here is the last of the sunflower photographs I took during the vegetable share season. It’s kind of Vincent van Gogh-ish. When I get a chance to buy larger watercolor paper I will be painting from this photo. Did you see I said “when.” And “when” will that be?

I could see these sunflowers in oils, too. The oil paints have sat for so long I can’t even think about getting them out and painting with them. Yeah, I know, I need a bit of time to look them over, set them up around the palette, but then there’s the medium to deal with, a large enough canvas to work on. These are the distractions that stop me in my tracks.

Maybe I will do a small and quick twenty minute watercolor? Well, let’s see where it goes.

These are the things I grapple with during my day. The road blocks are my own. Mr. Resistance can wreak havoc on plans.

Watercolor paints are so easy to get out, paint, clean up, and put away. The oils are out, the painting sits wet for days, the air needs to be well ventilated because of the chemicals in the paints and the medium. Unless I sketch quick with plenty of turpentine so the paints dry faster, this could take time.

Do people still use turpentine any more? That’s how long I haven’t painted in oils, don’t tell on me.

Am I making excuses not to paint at all? Gee, let’s see: no watercolor paper large enough, the oils are a pain, I might not have enough time to paint. Sound familiar? Resistance is stepping out into view here.

Now we are on the verge of December, and all that comes with the holidays. How can painting be a priority if there are so many other things to get done?

The thought running through my head right now is this: The timer is my friend. The timer is my friend.

The Shell Has Company!

Shell Has Company 7×10 Watercolor on Arches paper
©2011 Dora Sislian Themelis

Isn’t it nice that my beach shell has found itself in another painting with company? I don’t know what it is about that shell that I seem to paint it so often.

Maybe it reminds me of the day at the beach when I found it? Maybe it’s because of the little bit of seaweed that clings to the underside? Is it because it’s cracked?

Then there’s the apple. I’m intrigued by the different colors I find in every apple I paint. The veggie share gave me this pumpkin-type thing. I like the color of it.

Whatever pulls me, I must oblige.

I had planned to paint this still life set up larger, but guess what? No paper! The small Arches block I was saving to take with me on painting excursions was ready and waiting, so that’s what I used instead. A trip to the art supply store will have to happen sooner rather than later.

Twenty minutes of painting this and I was finished. Damp brush, not a lot of water, and sketching is possible. I used two brushes, a medium large round and a small outline type brush, to paint with. We all have many different brushes, but lately it’s been these two. Funny how we can pare down to get the most out of a minimum of items to work with.

It’s like having a closet full of clothes, and I only wear the same ten or so items all the time.

The same thing with painting. All the colors on the palette and I keep using the same five colors, and these two brushes.

Anyway, I painted. It’s a reason to cheer! Except I won’t because I never know when Mr. Resistance will turn the corner. Shhhhhh.

Process Leads to Finished

Four Sunflowers 14×20 Watercolor on Lanaquarelle paper
©2011 Dora Sislian Themelis

You see, the process, when implemented by the twenty minute time slots, leads to finished product. It’s a coincidence that I just read something to the effect that artists with a day job should fit creativity time in their day just like this. They should set a timer for twenty minutes and push headlong into painting, or whatever.

Amazing!

I finished this today. Believe me, if I don’t put it away right now I will find some other spot to play with on this work. After I took this photograph I made a small area of the background darker to pop the yellow flower petals a little bit more.

That is my downfall. I tell myself I’m finished and then after I clean the brushes and my palette I spy an area I think needs a flick of the brush. Many a work has been ruined by such impulsiveness.

Forget it, I’ve already uploaded this photo and that’s it. The little brush stuff I just did will have to be discovered by someone else, hopefully a happy art collector.

Just putting it out there into the Universe, hoping the Universe hears that little plea for a buyer to show up and give a nice painting a new home. That’s all.

The Process Works, Baby

As it turns out, I was extremely out of the loop for a few days. The good part of it was that I found twenty minutes to paint on this latest work each day. Imagine that? I know, I know, you’re probably saying to yourself “this girl doesn’t knock it off with the twenty minutes thing.” 

Really, if I hadn’t discovered I could paint and keep the process going in short amounts of time I’d be under the table by now, completely out of the scene. But here I am. Everyday I’m shuffling, chugging away, Process, baby!

Every day I dipped the brush in the paints and scribbled a little here, threw some paint over there. I am so thankful to the inner-artist in me who decided to take a lot of photos of these sunflowers when they came with my vegetable share. To tell the truth-this was the best part of the CSA share. The veggies? Eh.

When the baby slept I painted. When I came in from errands, I painted. While I cooked dinner, I painted. Before I ran out of the house in the morning, I painted. Twenty minutes, ten minutes, whatever little iota of time I could afford, I worked on my process. 
I might have to buy myself some sunflowers after these photos are all used for paintings. Either that or I may paint them all over again, but using oil paints, and painting really big. It’s an idea.

Painting Photo for Friday

Cooper’s Farm ©2011 Dora Sislian Themelis
14×20 Watercolor
Finished another watercolor painting! I am on a roll. Actually, I just wanted this one done with. When I am ready for something else I get antsy to finish and continue. Not like other times when I don’t even touch the paints. No, I am trying to behave and keep working.
For each painting session I was still using twenty minute segments, letting the work dry in between. And here I am painting from photographs, too. There was a time I just couldn’t do that. The subject had to be live. But the blue tractor was adorable, and I liked the scenery. So there you go.

Now I’m over it. 

Don’t Prolong the Process

Peach at the Beach with Two Shells, 14×20 Watercolor
©2011 Dora Sislian Themelis

If I continue painting on this work I am going to trash it! I am done, done, done! Finished! Telios! C’est Finis! This was the end of the road for the peach at the beach.

I worked on this for the allotted twenty minutes today, let it dry, then started to dig in with some details. What a mistake that was. There is just so much I could do to show these items were sitting on the sand. How do you really make sand look like sand? It isn’t easy, and things could get dicey. Again.

I am done with this! Yeah!

Using a really small brush, I began to paint in some dark shadows in the sand and that’s where the trouble started. I had to stop myself before ruining this painting.

Overall, the result of the process came off as I wanted it to. The peach pops, as well as the shells. Eh, the sand shadows are passable. It just had to be over. I didn’t want to prolong the torture any longer.

As soon as this is completely dry I am going to free it from the watercolor block and put it away. #37 in the 100 paintings challenge is finished.

Next!

Photo for Friday and More

Afternoon Sunflowers, 14×20 Watercolor
©2011 Dora Sislian Themelis

The latest watercolor painting is finished. Twenty minutes of painting time has it’s merits, and it’s detractions.

On the one hand, painting for twenty minutes keeps me in line. I can’t get too busy in the details to end up trashing my work. It helps that I must step away from the painting to see it better and decide where to work next. And then there’s the drying time. All good things so far.

On the other hand I could walk away after twenty minutes of painting and quite possibly never go back. That could last a couple days and I’ll never finish the work so I could start another. I’m not the type of person to have a couple of paintings working at the same time, so that’s not helpful. I turn to jewelry or knitting if I’m not painting the latest piece. Kind of not good.

All in all the time limit thing has been positive. Ok so, I’m not cranking out painting after painting on a regular basis, or enough to paint the 100 paintings in the year. I’m working toward that goal, but anything could derail that plan.

I made a commitment, and I’d like to see it through, but the larger I paint the less work that gets done. Rather than paint little paintings, which are fine, I want to open up and work larger. Packing a lot of painting on a small surface sometimes doesn’t do justice to the work. Little by little I’m working it up in size.

Can twenty minutes translate on a larger surface? With the right brushes, subject, and mindset, maybe it’s a Yes. Could I push myself to work every day for the twenty minutes? Or, work all day on one work twenty minutes at a time? I just don’t know about that, Artist A.D.D. and all.

Twenty Minutes or What?

Twenty minutes to start something new

As I was saying..yes, twenty minutes to something new on the table, easel, whatever. It’s been a quiet Sunday and I had time to paint, having danced around the paints all week.

I played with beads twice, coming up with two different bracelet designs, and successfully by-passed painting. What’s with that?

Today there was that split second decision to put water in the plastic bucket and just do it.

Isn’t it funny, though, that I can go to my studio where the beading stuff is, sit there to come up with jewelry designs and finished products, but I ignore the watercolor paints sitting on the dining room table? I think it’s funny. It’s really not funny, it’s annoying behavior, and it has to stop.

To be totally honest, I don’t even think I worked on this new piece for twenty minutes. Maybe it was more like ten minutes. Just enough time to sketch the composition and throw down some color, that’s all. You can see the paper is still rolling with water and hasn’t dried when I took the photograph. Quick and done.

Tomorrow I can move this along and get a feel for where I want to go with it.

Just to let you in on a little secret, I am planning to paint bigger. Don’t tell Mr. Resistance. He might throw a roadblock in my way. Just saying.