still life Archives - Page 3 of 7 - Dora Sislian Themelis Art

Quality Supplies Makes Quality Work

Shells ©2012 Dora Sislian Themelis
8×10 Watercolor on Arches paper

Sunflower Petals ©2012 Dora Sislian Themelis
8×10 Watercolor on Arches paper

Rocks ©2012 Dora Sislian Themelis
8×10 Watercolor on Strathmore paper

One day last week I was determined to keep at the painting schedule. Twenty minutes per painting and if I pushed myself I could do a few, one after another. Inspiration was running low, the shells and pebbles have been painted over and over, no new sunflowers around either. But after my artist date I had a bit of motivation so I gathered my stuff and went at it.

Shells, rocks, pebbles were thrown on my table and I just painted what I saw. Next! I decided to crop one of the sunflower photos are paint that view. Great! Then I went for an even quicker sketch of the shells and pebbles. I used paper that I had cut from larger sheets to make these smaller works, not realizing amid the Arches papers was a student grade of paper from a long while ago.

As I began sketching the last painting, as has become my style, the paint beaded up on the paper. The paper seemed to resist the watery paint. I had a hard time with that, and worked harder than I had been doing lately. Twenty minutes and I was not happy with the process of that last painting. Nope.

The moral of the story is to make sure to use quality equipment whenever possible. Taking short cuts is just not worth the trouble. I’ll be careful of that at the next session.

Found: Some Time to Paint

Winter Nest ©2011 Dora Sislian Themelis
10×14 Watercolor on Arches paper

With not much time to give to painting, I stole about 45 minutes from a busy day to paint this still life again. It’s already out and available so it was a no brainer to just go to it. Yes, this one took a little longer to complete.

The method of painting quickly that I’ve managed to work out is keeping me in the game. The least amount of water possible doesn’t saturate the paper allowing me to move on to another area of the work while the just painted area dries. Once dried I go back and add details. The pace moves fairly quickly.

Christmas is fast approaching and there are things that must get done. Painting is one of the things that just may not happen again for a little while. So the fact that I was able to squeeze it in is a big deal.

Sunflower Painting is Finished, and What I Learned

It’s Friday and time to show you photos of the latest finished watercolor painting. I had some other fun news to share, but you will have to wait. Painting is happening and the sooner I get this one out of here the easier it will be to get the next one working and I will tell you what was so much fun.

First twenty minutes

There were a few things I learned while painting this work. Firstly, the height of my art table is too high. The dining room table is lower when I painted there, waist level while standing. This was not comfortable and I felt as if I couldn’t get away from it by standing or sitting on a stool. It will need to be lowered if I’m going to paint there.

Secondly, the desk lamp is not natural even though I have a daylight bulb and an incandescent one. It’s just way to bright and also too close to the work to gauge paint colors the way I wanted. I persevered.

Second twenty minutes

The third thing I learned is about the paper. After using Lanaquarelle, then Arches, I can tell the difference in quality. I bought this Canson tablet on sale, it was larger than I was using, and figured it’d come in handy when I was ready to work larger.

Also it’s a pad, not a block, and if not affixed to a surface it curls and rolls when wet. The painting surface is not that great either, leaving weird brush strokes. Well, I guess it’s okay if you want those brush strokes to show.

I’m using two different paint companies, MaimeriBlue and Windsor&Newton. When I painted a layer over an area previously painted, the layer beaded up. Was it the paint? Was it the paper? Or does that happen? I thought it was strange.

Blue Vase With Sunflowers ©2011 Dora Sislian Themelis
15×20 Watercolor on Canson paper

After I finished I took photographs while the work was still attached to the table. My problems were the same I had while painting: unnatural and too bright light, too close to get a good shot. I took the painting off the table, went to the dining room table and the nice northern exposure picture window to take a photo. See the difference? Washed out color in artificial light, more true to the paints in natural light.

The fourth thing I learned is that I’m getting comfortable using my photos to paint from. I don’t want to get too cozy because then it’ll take time to get back to painting from life.

I’ll figure it out one of these days. In the meanwhile I’m still in the game.

Back to Painting the Sunflowers

First twenty to thirty minute session

So yesterday’s painting sale was fun. Now back to business. Back to the drawing table. The sunflowers await. Twenty to thirty minutes of painting time is all I allowed myself on the weekend. It was just enough to get something on the paper. Something is better than nothing. Yesterday was a bust.

On my Sunday session, while the painting dried, I played with my beads. That’s always fun too. I had to get away or I would over do the work. Even if I use a timer, my brain just ignores it and I keep on going. Bad idea most times.

But then I can become distracted by so many other things that I never go back to the painting. I’m on a schedule here. I have 100 paintings to get done!

Today’s twenty minute session

Today I was determined to get to it. Maybe someone can explain it to me, but while I am painting I really don’t like what I see. Yeah, it’s the process I keep telling myself, but shouldn’t the end result be somewhat pleasing after all that? I’m not just mindlessly drawing in a coloring book, there should be real art at the end, right?

After I photograph the work for all of you to see, I am surprised by it. I don’t dislike it. There are areas I need to push, but overall it looks better than I thought.

Let me know what you think.

Process Leads to Finished

Four Sunflowers 14×20 Watercolor on Lanaquarelle paper
©2011 Dora Sislian Themelis

You see, the process, when implemented by the twenty minute time slots, leads to finished product. It’s a coincidence that I just read something to the effect that artists with a day job should fit creativity time in their day just like this. They should set a timer for twenty minutes and push headlong into painting, or whatever.

Amazing!

I finished this today. Believe me, if I don’t put it away right now I will find some other spot to play with on this work. After I took this photograph I made a small area of the background darker to pop the yellow flower petals a little bit more.

That is my downfall. I tell myself I’m finished and then after I clean the brushes and my palette I spy an area I think needs a flick of the brush. Many a work has been ruined by such impulsiveness.

Forget it, I’ve already uploaded this photo and that’s it. The little brush stuff I just did will have to be discovered by someone else, hopefully a happy art collector.

Just putting it out there into the Universe, hoping the Universe hears that little plea for a buyer to show up and give a nice painting a new home. That’s all.

Photos for Friday

The fun begins here:

…and where the fun ends, nobody knows!

Every Day I’m Shuffling

Day #2

There’s a wild song on the radio that I get a kick out of every time I hear it and one of the lines is the title of this post. I don’t listen to the radio in the car, or in the house, all day either. I need my quiet. I do enjoy some Frank Sinatra and I have favorite classical pieces, but mostly my brain is too noisy for it.

Now and then I listen to the music the kids like, and some of it is hot. Some people like to listen to the old stuff they liked as a teen. I can’t. Some of that was great, some horrible, but I just can’t go back there. Did it, done with it. Give me the new stuff.

So I’ve been “shuffling” until I got it going with this new piece. Another twenty minutes of working around the composition and it’s starting to feel good. When one area is wet I work on a dry area, keeping the whole painting in motion. Trying to see the piece develop as a whole and not surprise myself by not-so-happy accidents.

From what I can tell by this photo the piece is moving where I want it to go. Brush strokes, paint placement, dark and light, with details to come at the end of it. Maybe I will take one more day and finish up. So far, so good.

Two More Sunflowers

Two Sunflowers (c)2011 Dora Sislian Themelis
14×20 Watercolor on Lanaquarelle paperr

Motivation comes in strange ways. I need to have my painting implements staring me in the face to be able to feel like working on the art. After reading everything I have, and taken the great workshop last weekend, what is it with the resistance?

I must admit making painting a daily habit is working more than not working. At least I know in the back of my mind I have painting to do. At some point in my day it will happen. There is no such thing as painting all day long. No such thing. You just have to try to go to the studio, or the dining room table, and get to work.

There are a few more sunflower photographs I have at the ready. This is another that I started painting. Here is the progression from sketch to dropping in color. I allowed myself those precious twenty minutes of time and stopped.

Twenty minutes of painting time is the best thing I ever started doing. I get to paint every day, sort of, and stop myself before I make a mess of things. Rather than get bogged down in detail, which was my hallmark, I know I don’t have too much time so I am use brush strokes and color to say what I need to say.

I could have stopped at this session, but I felt that the work needed just one more go to make me feel as if the painting was finished. Each time after the paint dried I felt different about my work. Something about how the paper flattened back down, how the colors looked, gave me confidence I was on the right track.

If I had kept on going past the twenty minutes I might have had to throw it out, as I have done before. I am master of my domain! Yeah, right.

Preparing and Painting

Peppers on a Platter (c)2011Dora Sislian Themelis
11×16 Watercolor

With the workshop weekend looming, I wanted to spend the day preparing myself and my stuff. We are to bring a portfolio of work. I’ve been throwing it around in my head which work to bring. The obvious thing would be to show recent pieces. Although I do work in other media, I guess I will bring the watercolors. And maybe my little pen and inks done while waiting at the allergist’s office.

I printed out my artist’s statement, such as it is. It’s for my eyes only, but my eyes are pretty critical. It’s a loosey goosey art language statement. In college, art majors needed to take English for Art Majors Only. They expected us to be able to discuss our work to regular people, as well as other artists. We wrote papers reviewing the masters works, museum pieces, and each other’s work. It wasn’t easy, but helped us to develop an art speak that normal people understood.

Every paper I wrote, my professor would ask if I wrote it. She’d say my language on paper was not the same thing that came out of my mouth. What could I say? I’m from Queens and what comes from my lips is not how I think or write. Ugh.

So yes, artist statement is ready. I also printed out the directions. Believe me, I’m not leaving home without a GPS thing.

I had a small bit of time yesterday and today, before getting involved in other things, to paint. Working from some photos I took a while ago I just went to it. Yes, I said from photos! No pencil, just paint. I didn’t get a chance to take a photo at the twenty minute mark and what you see is well past that. I just wanted colors, shapes, and values. I was going to continue to add to the lower left corner, but I think it’s balanced just as it is. Heavy with color on the upper right, and void of it at the lower left. Weird composition, but I’m going with it.

Besides, I’m out of time. Tomorrow is another day.