still life Archives - Page 4 of 7 - Dora Sislian Themelis Art

Friday’s Photo on Saturday

Fighting resistance with everything I have this week. Sometimes I win. Sometimes Mr. Resistance wins.
What’s with that?

If you give in to it, low motivation can last longer than you would like and that just can’t happen anymore. I don’t have time to waste, so Mr. Resistance needs to get kicked out the door. He overs stays his not-so-welcome welcome every now and then.

Two of these shells were collected on one of the last great beach days a little while ago. The cracked smaller shell you have seen before. The watercolors were out, the shells and the paper ready, and I had the time so I pushed through the fog to paint. Twenty minutes later and I was done.

I tried to use only as much water as would allow the paints to flow so I could continue and finish without waiting for it to dry. I think I figured out how much water to keep on the brush. I also think I need better brushes. I was using synthetic brushes, but I went back to using sable. I like the way the paint flows and the point might be more pleasing. A visit to the art supply store may be in order, just to get some info.

These shells were similar in color and value so I needed to establish the ground there were sitting on by throwing on some color. I think it adds a little something and perks up the whiteness. You get the idea.

Breaking Resistance Mode in Twenty Minutes

Peach at the Beach (c)2011 Dora Sislian Themelis
7×10 Watercolor

The latest watercolor is finished. You can see how the colors change with the different lighting, but the feeling is the same. Sunny, breezy, comfortable day at the beach. Can you feel it?

The second photo was taken in the afternoon after I painted from my beach photo for twenty minutes. I took the top photo this morning which is more blue with early light, rather than the yellow of late day light. That’s what Monet was seeing when he painted his water lily garden and other scenes in all times of the day. Different time of day, different shadows, different color of light, different paintings of the same scene.

I wonder if Monet painted for only twenty minutes at a time. Makes sense if he did, because if he didn’t and painted on one work all day, the light would be different as the day passed and I know he has many works of the same scenes. I will have to look into it.

Anyway, I enjoy working quickly, when I do paint. Lately I’ve been in resistance mode and twenty minutes has been helping break that cycle quicker than usual.

As far as my subjects, I think it’s interesting to mix objects that would not normally live together in real life life fruit and sea shells. These were nice shells too. Great shapes and colors to keep it fresh.

If the momentum keeps up it will be a good thing. However, the weather here has turned cooler and it’s not conducive to beach going. Beach weather is on it’s way out, but memories of a great beach day will have to suffice.

Back in the Saddle Again

Peach Pebble Pepper (c)2011 Dora Sislian Themelis
Watercolor 9×12 Lanaquarelle

So you see, a little moping around can sometimes lead to good things. Write it and it will come, sort of. I was out of it, but it pulled me back in. There’s only so long a slump can last. Mr. Resistance, I am rid of you for the time being.

Shhhhh. I don’t want him to hear me too loudly for fear he’ll show up and bother me again.

As I was saying. The veggie haul was “fruitful” and ended up being quite productive. I don’t know what it was that lured me to paint. The shapes of the produce, the colors, the combinations looking very interesting? What?

I felt bad I ate my still-life subject at the beach that day of the earthquake. Maybe that was it? The peaches in the veggie haul were really pretty. I don’t know, but I found myself reaching for the peach, then I grabbed an interesting looking pepper, and one of those pebbles I was painting a while ago.

After arranging these items in a way that felt good to me, I filled my water contained and started in on this. No pencil sketching, just drawing in the items in watercolor paint. I must admit that when I work this way I sometimes fail to place the painting in the center of the paper. I’ll fix that with a matte when the time comes.

For now I did it. A breakthrough, and the best part is I painted for only twenty minutes. Just enough time to get it together and back on track.

“Back in the saddle again,

Out where a friend is a friend.

Where the longhorn cattle feed,

On the lowly gypsum weed,

Back in the saddle again.”

by Gene Autry, songwriter

Me, Whimsical?

Having finished the dancers painting for the person interested in illustrations for their book,I emailed the image with fingers wimply crossed. Yes, I said wimp-ly. As in like a wimp. Should I have said sheepishly? Anyway, I was thinking it might not be to their liking with the “whimsy” word being tossed about.

Do I see my painting, or myself, as whimsical? I think not. My kids would say “Who, you? Uh, no.” Those are smart, observant guys, those kids of mine. Yeah.

I think watercolor work is light and airy by nature of the medium. Would I call my handling of the medium melancholy? So I lean toward Prussian blue and alizarin crimson, are they sad, depressing colors? Not in my opinion.

I paint what I see generally. With photos I see too much. From life there’s no time or room to see everything, which is what I like about painting from life. I am not sure it’s even possible to use watercolors to capture a crowd of people dancing unless in abstract forms or quick gestures. Maybe that would have been a better way to go, but I needed a reference, hence the photo.

What can you do? Can you please everyone? No.

I will continue to stay positive, or invite the unwanted advances of Mr. Resistance. I decided the operative word was “Yes”. I went with the flow. I tried my best with what I thought would be okay, and maybe not how I would have liked it to be.

After working from life going back to a photograph for guidance didn’t feel exactly right. Being true to myself and my own objectives may be more important in the long run. Book deal or no book deal.

Rain, Clouds and Thinking Things

Apple is Butting In (c)2011 Dora Sislian Themelis
8×12 Watercolor on Arches paper

Lone Shell (c)2011 Dora Sislian Themelis
8×12 Watercolor on Arches paper

It’s been busy around here after the holiday and trying to get myself back on track. I finished the watercolor with the apple and moved on yesterday to the next work. The broken shell was looking at me so I did it the favor of a portrait.

Moving along at least.

Today is overcast and it’s been raining. Rotten weather like this is depressing after having warm, sunny days. The day itself isn’t so great. I’m thinking things today. You ever have one of those days that you are constantly thinking things? All kinds of things? Today is one of those.

I don’t have any time for painting today either. Maybe not even tomorrow. Maybe not even Friday or all weekend. I am looking forward to Monday.

Apples, and Shells, and Rocks, oh my!

There’s just something about apples that I need to paint. What’s going on inside my brain that lures me in and bites me, compelling me to put an apple in my still life paintings? Weird brain.

I’m not even that thrilled with how this brand of apple paints up. Besides the paints, which I am too stubborn or lazy, or something, to add the new Alizarin Crimson and Burnt Sienna to the palette, I need to buy prettier colored apples.

At least I found time to paint, thrilled or not. Process over thrilled. May as well paint a junk painting now and then. Is it good or bad for the ego? Then again, it is my opinion.

Some times I think my work was lousy and someone else would say how they love it, so I can’t go by how I feel. Just paint and don’t think about it. Move on.

This was a twenty minute session at this point. I left it alone after twenty minutes because it was annoying me. I had to stop and get away from it. The next day I worked on it again and it looks slightly neater. I can’t think of the word to describe the finished piece other than “neater.” It’s done.

There are some elements that please me though. I really like the color strength and shape of the broken shell on the right and the way the shadow pops the lower edge. The rest is just so-so, to my eye. I think that apple is doing nothing for me. Overplayed the apple, and maybe that rock. The shell?

I think it’s time to find other subjects, but I’m not sure exactly what thing is going to feel comfortable. Other fruits are boring as well as some veggies. Maybe a fabric? Or a shiny platter? A bowl?

Maybe I need a vacation?

Keeping On

I’m still working on painting those 100 paintings. Thank goodness I joined the challenge otherwise I would find excuses not to paint. So, the idea to be accountable to someone or something else works.

It’s like when you are in school and expected to come to class prepared. The possibility of failure is up close and personal. Not so when you’re working on your own. Who’s going to grade me? No one, but myself. And I could give myself a pass instead of a fail.

Independent study might not be my forte. In my last year in college I had a painting class at which the professor did not hold regular hours. You had to paint on your own and attend one class a month. You can just imagine how that went. I was wasting time until I received the notice when class would meet and then Bam! I had to get on it.

I pulled out my 5ft roll of canvas, kicked it out on my basement floor and where it stopped I cut it and painted. At the time I was working in oils doing color studies using a limited palette of three colors. Abstract work, mixing the amounts of colors to see how many I could get from those three in a cloudy-like design.

Working all day and into the late night, I painted until I filled eight feet of canvas. Needless to say, my professor was impressed. After all, he told me to paint bigger! I knew I could do that, I just needed the time frame.

Pebble and Bits (c)2011 Dora Sislian Themelis
9×12 Watercolor on Arches paper

All these years later I’m still the same person I was back then. I need to be accountable and have a time frame. I guess that’s why twenty minutes does the trick along with this challenge.

Progress in the Process

I have a busy Monday ahead of me today. And an even busier week to come, this being the lead up to Easter. I just can’t believe a year has passed and here I am in the middle of another Holy Week. Didn’t I just do this? Didn’t I just blog about this? Time just flies by.

The big question is this: Will I have any time for myself and painting? I seriously doubt it, but I will try to squeeze some work in. This time last year I don’t think I was using twenty minute increments of time to paint. I think I remember working on one piece for a while.

There’s nothing wrong with that either. However, since I found how productive I can be using twenty minutes to paint I’m not sure how/if I can go back. Maybe if I find something interesting to paint I may have to work on one piece twenty minutes at a time. That could work.

But this week is rough for me. Fasting, baking, cooking, evenings in church take up alot of time. I’m pooped already. Can I skip any of it? I don’t know if I can. I’m so used to going to church almost every night of this week. I’ll see how I feel.

Shell Bits and Pebble

I painted these shells once again, but this time I added that pebble. Moving the set-up around to see the other side this time, made the still life look different once more. It’s working for me so I’m not going to change it up and chance a bout with Mr. Resistance.

Then I happened to get a flash of motivation and quickly sketched the objects again before we headed out for dinner Saturday night. I moved the items around again, found a pleasing arrangement and dropped in some color before we had to leave. Done.

I am definitely making progress with the process!

I’m Still Here

Hello! I didn’t forget you! Did you forget me? I could almost forget me! I have been busy this week with my little munchkin and having plenty of fun.

Babies are amazing animals. I’m really enjoying watching her grow and change. In fact, I’ve been enjoying watching myself grow and change. We’re on similar paths. She: physically. Me: artistically.

With the kick in the knees at the 100 Paintings challenge, to just put away a painting once it’s finished, I’ve been easily moving on to the next work. Progress! Growth! My kind of “change”!

It’s amazing what a difference a small suggestion can make. It feels like freedom. Free to move to the next stage. Okay, I’m still painting still life items, but I don’t think there’s anything wrong with that. Painting the same items over and over affords a certain affection with said items. Yeah, it sounds weird, but these things are out and that’s it. Don’t think about it too long.

So. I painted this yesterday and today I painted another one. I am on a roll! “Change” is good!