sunflowers Archives - Dora Sislian Themelis Art

Morning Painting Session

Pushing resistance out the door, ironing out the kinks, keeping my fingers crossed that I can work on this latest watercolor painting with strong momentum behind me.

I can dream, can’t I?

Another session on this latest work

Funny thing is, I usually don’t paint early in the day when I know I have other things to get done. Today I had plenty of morning time with not much to do.

Granted, I’ve been awake since 5:30 AM. Wide awake at that.

Dressed, did the breakfast thing, read my news, checked email and all cyber stuff, kicked the family out the door, wrote the Morning Pages, straightened out the house, all before 9:00. Now what?

I painted. It might be a good thing, too.

The question is: will I come back this afternoon to finish?

New Finished Watercolor Painting

Yes, friends, another watercolor painting is off the block. And it’s a happy day.

Sunburst ©2012 Dora Sislian Themelis
14×20 Watercolor, Arches 140lb cold press

Let me tell you what I’m not sure about. I’m not thrilled with my photo taking skills. I have tried bright natural light, and sometimes it’s too much light.

Then I tried softer daylight, with a sheer curtain, still no good. Today I took this photo with the flash on, all quite by accident, and it’s not all that bad. I think I lost some color in there somewhere, but the photo without flash was dull. Am I going to need to take a course, or what?

Almost finished photo, no flash, bright desk lamp

A photographer at the art event asked me if I knew how to take photos of my work by zooming in on the painting first. Yes, I knew that, but I should’ve asked more questions. Better yet, I should have asked him to take the photos. I wonder if that would be a good idea? Next time, my brain needs to work faster.

This might be the only work I get done this week. Our big, fat Greek festival is happening this weekend, and you know what that means? Craziness. I’ll try to update you.

Quality Supplies Makes Quality Work

Shells ©2012 Dora Sislian Themelis
8×10 Watercolor on Arches paper

Sunflower Petals ©2012 Dora Sislian Themelis
8×10 Watercolor on Arches paper

Rocks ©2012 Dora Sislian Themelis
8×10 Watercolor on Strathmore paper

One day last week I was determined to keep at the painting schedule. Twenty minutes per painting and if I pushed myself I could do a few, one after another. Inspiration was running low, the shells and pebbles have been painted over and over, no new sunflowers around either. But after my artist date I had a bit of motivation so I gathered my stuff and went at it.

Shells, rocks, pebbles were thrown on my table and I just painted what I saw. Next! I decided to crop one of the sunflower photos are paint that view. Great! Then I went for an even quicker sketch of the shells and pebbles. I used paper that I had cut from larger sheets to make these smaller works, not realizing amid the Arches papers was a student grade of paper from a long while ago.

As I began sketching the last painting, as has become my style, the paint beaded up on the paper. The paper seemed to resist the watery paint. I had a hard time with that, and worked harder than I had been doing lately. Twenty minutes and I was not happy with the process of that last painting. Nope.

The moral of the story is to make sure to use quality equipment whenever possible. Taking short cuts is just not worth the trouble. I’ll be careful of that at the next session.

Sunflower Painting is Finished, and What I Learned

It’s Friday and time to show you photos of the latest finished watercolor painting. I had some other fun news to share, but you will have to wait. Painting is happening and the sooner I get this one out of here the easier it will be to get the next one working and I will tell you what was so much fun.

First twenty minutes

There were a few things I learned while painting this work. Firstly, the height of my art table is too high. The dining room table is lower when I painted there, waist level while standing. This was not comfortable and I felt as if I couldn’t get away from it by standing or sitting on a stool. It will need to be lowered if I’m going to paint there.

Secondly, the desk lamp is not natural even though I have a daylight bulb and an incandescent one. It’s just way to bright and also too close to the work to gauge paint colors the way I wanted. I persevered.

Second twenty minutes

The third thing I learned is about the paper. After using Lanaquarelle, then Arches, I can tell the difference in quality. I bought this Canson tablet on sale, it was larger than I was using, and figured it’d come in handy when I was ready to work larger.

Also it’s a pad, not a block, and if not affixed to a surface it curls and rolls when wet. The painting surface is not that great either, leaving weird brush strokes. Well, I guess it’s okay if you want those brush strokes to show.

I’m using two different paint companies, MaimeriBlue and Windsor&Newton. When I painted a layer over an area previously painted, the layer beaded up. Was it the paint? Was it the paper? Or does that happen? I thought it was strange.

Blue Vase With Sunflowers ©2011 Dora Sislian Themelis
15×20 Watercolor on Canson paper

After I finished I took photographs while the work was still attached to the table. My problems were the same I had while painting: unnatural and too bright light, too close to get a good shot. I took the painting off the table, went to the dining room table and the nice northern exposure picture window to take a photo. See the difference? Washed out color in artificial light, more true to the paints in natural light.

The fourth thing I learned is that I’m getting comfortable using my photos to paint from. I don’t want to get too cozy because then it’ll take time to get back to painting from life.

I’ll figure it out one of these days. In the meanwhile I’m still in the game.

Back to Painting the Sunflowers

First twenty to thirty minute session

So yesterday’s painting sale was fun. Now back to business. Back to the drawing table. The sunflowers await. Twenty to thirty minutes of painting time is all I allowed myself on the weekend. It was just enough to get something on the paper. Something is better than nothing. Yesterday was a bust.

On my Sunday session, while the painting dried, I played with my beads. That’s always fun too. I had to get away or I would over do the work. Even if I use a timer, my brain just ignores it and I keep on going. Bad idea most times.

But then I can become distracted by so many other things that I never go back to the painting. I’m on a schedule here. I have 100 paintings to get done!

Today’s twenty minute session

Today I was determined to get to it. Maybe someone can explain it to me, but while I am painting I really don’t like what I see. Yeah, it’s the process I keep telling myself, but shouldn’t the end result be somewhat pleasing after all that? I’m not just mindlessly drawing in a coloring book, there should be real art at the end, right?

After I photograph the work for all of you to see, I am surprised by it. I don’t dislike it. There are areas I need to push, but overall it looks better than I thought.

Let me know what you think.

Resistance to Painting is Ridiculous

New painting

After a morning of errands, and plenty of procrastination, I kicked myself into gear after lunch to start working on a watercolor painting of the last of the sunflower photographs. I remembered I had a 15×20 pad of Canson watercolor paper and decided I didn’t need to shop for paper after all. Not today.

The only thing about this paper is that it’s loose sheets, not a block like I’ve been using. To work with sheets of watercolor paper I needed to tape it to a surface so that when it dries it lays flat.

There was no board this size to use as a surface so I taped it to my art table. You know what that means? It means I painted in my little studio. Can you tell I had the desk lamp on? It’s not the best light, but it will have to do.

Today I had a plan. After a brief pencil sketch just to place the flower heads on the paper, I wanted to use only the brush strokes for the petals and leaves. I tried to use just enough water to put the paint where I wanted it to go, using color for the lights and shadows, without drawing them in pencil.

Other times when I pencil in my composition I indicate where the shadows should go. Not this time. The brush stroke was dominant and the color choices developed the shadows. Watercolor is a tricky medium. But I guess every medium has it’s tricks. It’s up to the artist to discover how to use them.

Twenty minutes was the allotted time, but I may have painted past that. I didn’t use a timer today. When I felt I was too on top of this work, I stepped away to look over my table with jewelry supplies to distract myself. That was fun. More colors to look at, rather than ruin this painting with overwork.

When I said I kicked myself into gear, it was an understatement. There’s no reason for me to put up road blocks. It’s not laziness. It’s not boredom. It is resistance. I dragged myself to paint, with the little inner-child-artist having a tantrum and holding her breath until she’s blue.

It’s so ridiculous.

To Beat Resistance: The Timer Is My Friend

Here is the last of the sunflower photographs I took during the vegetable share season. It’s kind of Vincent van Gogh-ish. When I get a chance to buy larger watercolor paper I will be painting from this photo. Did you see I said “when.” And “when” will that be?

I could see these sunflowers in oils, too. The oil paints have sat for so long I can’t even think about getting them out and painting with them. Yeah, I know, I need a bit of time to look them over, set them up around the palette, but then there’s the medium to deal with, a large enough canvas to work on. These are the distractions that stop me in my tracks.

Maybe I will do a small and quick twenty minute watercolor? Well, let’s see where it goes.

These are the things I grapple with during my day. The road blocks are my own. Mr. Resistance can wreak havoc on plans.

Watercolor paints are so easy to get out, paint, clean up, and put away. The oils are out, the painting sits wet for days, the air needs to be well ventilated because of the chemicals in the paints and the medium. Unless I sketch quick with plenty of turpentine so the paints dry faster, this could take time.

Do people still use turpentine any more? That’s how long I haven’t painted in oils, don’t tell on me.

Am I making excuses not to paint at all? Gee, let’s see: no watercolor paper large enough, the oils are a pain, I might not have enough time to paint. Sound familiar? Resistance is stepping out into view here.

Now we are on the verge of December, and all that comes with the holidays. How can painting be a priority if there are so many other things to get done?

The thought running through my head right now is this: The timer is my friend. The timer is my friend.

Art is Loved

When I signed onto the vegetable CSA for the season I planned to receive flowers and eggs as well as the fruits and vegetables they offered. It’s been interesting to see the different produce I brought home. Some things I never saw before and never want to see again, to be really honest. Let’s say it’s been an experience.

Surprisingly, I really enjoyed the flowers. Those sunflowers had an effect on me from the start. I liked the jaunty way they sat in my vase and I just had to photograph them. The life of fresh flowers is fleeting, so to preserve their beauty I had to take photos. Did I think I would paint them? Yeah, the idea came across. Did I think I would be enamored of sunflowers? Nope.

This painting was the first of the bunch and it was memorable because I painted it in great weather in my backyard garden. It just happened to be a beautiful day with painting happening.

At the end of the summer I added it to my portfolio of work that I brought to the workshop I attended. Did I think it would be purchased during that weekend? Not at all, but that’s exactly what happened, as I said in the post about the workshop. Crazy.

Me, my painting, and happy new owner Grace!

Grace, my table-mate fell in love with my painting and had to have it (her words)! Of course I sold it to her, and we took photographs of the moment. It was a lot of fun. (By the way, Grace makes beautiful pottery and owns her own pottery studio The Potter’s Wheel. Visit her site and Etsy shop when you can.)

Sunflowers Outside hanging in Grace’s home

Just this week Grace posted to Facebook a photograph of the newly matted, framed and hung painting in it’s place of honor in her home. It was a wonderful feeling to know that painting is loved by someone other than me, it’s maker. Doesn’t it look happy? I think it does. And so am I.

Process Leads to Finished

You see, the process, when implemented by the twenty minute time slots, leads to finished product. It’s a coincidence that I just read something to the effect that artists with a day job should fit creativity time in their day just like this. They should set a timer for twenty minutes and push headlong into painting, or whatever.

Amazing!

I finished this today. Believe me, if I don’t put it away right now I will find some other spot to play with on this work. After I took this photograph I made a small area of the background darker to pop the yellow flower petals a little bit more.

That is my downfall. I tell myself I’m finished and then after I clean the brushes and my palette I spy an area I think needs a flick of the brush. Many a work has been ruined by such impulsiveness.

Forget it, I’ve already uploaded this photo and that’s it. The little brush stuff I just did will have to be discovered by someone else, hopefully a happy art collector.

Just putting it out there into the Universe, hoping the Universe hears that little plea for a buyer to show up and give a nice painting a new home. That’s all.