Coffee And Paint Drips Blog - Page 30 of 79

On to the Next Step

The next step

*Note: For some reason this entire post, including my photograph, was deleted! It wasn’t me either!

And it was such a good post, too.

I was discussing how I’ve been fairing with the Blast Off class over, motivation high, resistance low and churning out this latest still life watercolor painting. This one is on larger paper than I was using and is going to take a little more time to finish.

Now I remember, since seeing the comments, that I was thinking about painting in oils again, but not so sure I want to inhale the fumes that turpentine, varnishes, linseed oils emit without going to all the trouble of trying to ventilate a basement studio properly.

Anyway, that’s all I remember. Use your imagination.

Beginning Another Work

With the Blast Off class over, affirmations in place, and a plan in hand, I began a new painting. The last thing I needed to do was listen to a phone interview by Alyson B. Stanfield with the author Eric Maisel, on his interesting book, Ten Zen Seconds.

I chose one of the last photos I took of the vegetable share haul and spent a good amount of time sketching in the subjects. The paper is one of the large sheets of Canson watercolor paper I bought a while ago. Yes, I know, it’s not Arches, but it will have to do for now.

Since I wanted to get the proportions right, I made a grid with pencil lines and lightly drew in the items. I wanted to try out the new Isabey brush I purchased to see how it would work. It’s a size 12, large sable hair brush and it holds alot of water, if that’s a good thing.

While I painted I listened to the interview and many of the things discussed resonated with me. Maisel talked about his work with artists and the overwhelm they encounter while trying to work, getting the work out there, promoting and talking about their work. It’s so interesting in that it’s the truth. Where to start? How to do it?

The anxiety of it all causes some of us to freeze. I know that well. Ever hear the phrase “When in doubt, don’t”? That’s what happens. If we don’t know what to do, we do nothing. Well, Maisel said that overwhelm can be helped by saying certain affirmations that he called incantations, together with deep breathing. Zen. He explained that after doing the exercise, artists find they can continue.

It makes plenty of sense. I think I’m need to get his book from the library after listening to this interview.

As I listened I painted. After the 30 minute interview was over, I kept on painting. I must have worked for 2 hours, slowly playing with the new brush and the paints.

Usually I’m done at 20 minutes, but this is large paper. It took some time. And I could wreck my work if I’m not careful. So when I saw the time I stopped and took this photo.

The process is still the focus. Another 100 paintings challenge is on the horizon so I have to make it count and work the time schedule. The Blast Off class and all the resources I have from it will help push my agenda.

Let’s see how it goes.

Coming Down After Blasting Off

The Blast Off class is finished today, but not the work. The work continues. And if there is any success at all it’s because I worked the work. Yeah, working the work is where it all works.

There’s something to be said for having a coach, discussing the possibilities, and getting guidance. Making my time really count was something I never really thought about. Having a schedule of the day, the week, and the year makes sense.

In the days ahead I want to revisit all the lessons and chose the ones that I need to take more from. I still have work to do.

I was tolerating an uncomfortable studio space and tweaked it until it felt cozier, but I still didn’t enjoy painting there. The dining room table was much nicer, until I realized I liked it because it was at a different height than my art table. Bingo! I changed the height and it’s nicer. Next up is that stupid overhead light that keeps going out. It must get fixed next week. I get glare from the table lamp on my watercolors when I paint.

Affirmations are up on the wall where I can see them. The vision board isn’t ready yet. However, I have a plan. A working plan.

As a result of all this class work, the next painting is taking shape. The daily schedule will work.

It’s a must. “If it is to be, it is up to me.”

Thought for Thursday

“Talent is so loaded a word, so full to the brim with meanings, that an artist might be wise to forget about it altogether and just keep on working.” –- Eric Maisel, creativity coach

From #1 to #56 in One Year

What’s Left of Fall ©2011 Dora Sislian Themelis
7×10 Watercolor on Arches

Last year I posted this watercolor still life of rocks, a favorite shell and leaves I kept in my copy of the Artist’s Way as one of the tasks of abundance. They served me very well at the time. I was already painting twenty minute works. When I decided to join in the 100 Paintings Challenge this was #1.

Four Shells with Rock ©2012 Dora Sislian Themelis
7×10 Watercolor on Arches

This watercolor painting with more of my favorite broken shells and rocks is #56 in the challenge. It will seem as if these items were the only subjects I painted, but that would be the wrong assumption.

Plenty of challenges were met in between these two paintings.

This weekend I also had time to go through all 56 paintings I did this year. Some works were twenty minute pieces. Others took a couple of days to complete. How I used the medium seems to me to be tighter on this last work than the first. My handling of watercolor evolved to where I’m more at ease with it. I learned a lot and still have far to go.

The 56 works evolved into different series of pieces, mostly still life work in watercolor. When I looked at each painting I could relive the past year. I can remember my days with every work, how I felt, what I was thinking, where I was and how I got myself to paint. It was a moment in time. A lesson of life.

Feel free to drop in some comments.

The Finish Line, or Not

I spent the weekend in reflection. January 31 was my first post to the 100 Paintings Challenge. A year ago I found out I could paint finished work in twenty minutes and I would post my paintings to the Twenty Minute Challenge. That’s where I found out about 100 Paintings.

Well, I will not make it to the required 100 pieces of art in this year. There is always next year to try my best. What else can I say? As of today I painted 56 watercolor paintings, with a few pen and ink drawings thrown in that mix to keep at it.

In my opinion, I accomplished plenty. As I said in another post, I am good for another go. See what happens this time.

Yesterday I went into the studio to survey my space. What is it that keeps me from doing better work there than at the dining room table? For one thing, the dining room table is lower than my drawing board allowing me to stand while I paint. I can move around, look at my work from a distance, keep some energy going. The drawing board is high and I can’t get away from it. Need to change it.

The dining room table has great north facing light, the studio is in the basement. Can’t do much about that, but make sure I have good light in the studio.

Most paintings took twenty minutes or so to complete. The larger works took a couple of days of work, and then I was a slacker some days. And I was working in the dining room because I needed to be near my granddaughter while she napped. A year later she’s not napping much, so there goes that.

Then I was also battling with Mr. Resistance. It’s been easier to beat the demon after all the work I’ve been doing since the Artist’s Way, Alyson Stanfield’s book and workshops, and my own lazy brain.

So I will forgive myself for not painting the requisite 100 works. It’s okay. I’m not looking to excuse myself because I did agree to the challenge, just didn’t pass the finish line on time.

We are all a work in progress. The Blast Off class I am taking online with Alyson is a huge help and I am working on my curriculum for the year ahead.

Painting will be regularly scheduled on the calendar of to-do list items at #1.
Reading artists bios, looking into documentaries of artists and museum visits is on the item list.

I’m already reading this great biography of Vincent van Gogh and it’s been very interesting to learn how he came to paint.

And there’s been knitting. Knitting socks at that. While I knit I daydream as I watch the stitches or color fly by on my needles. As I watch my brain is planning the next painting.

Not a bad start to another year of paintings. Wish me luck, again!

Friday Photos of Paintings

Last year around this time I signed on to the 100 Paintings Challenge. I wanted to do a few things by trying to paint 100 paintings in one year: build a body of work, learn how to use watercolor paints better, see subjects with a keener eye, push myself to paint regularly. And maybe sell a few works.

The challenge has been wonderful in all of those ways, except I will not meet the deadline with 100 pieces of work. Nope. Not gonna happen. Not this year anyway.

On the plus side, I have met most of my goals, and even sold a few paintings. So I consider the year a win. I am up for round 2. As soon as my deadline arrives I am committing to another go around.

I am grateful for the opportunities I found this year and I’m looking forward to better things ahead.

Thought for Thursday

“Being solitary is being alone well: being alone luxuriously immersed in doings of your own choice, aware of the fullness of your won presence rather than of the absence of others. Because solitude is an achievement.”
Alice Koller

Grateful Wordless Wednesday

Quick Self Portrait Can be Scary

Last week I wanted to paint something quick so I made a print of my photograph and hurriedly sketched this self portrait on a small block of Arches watercolor paper. Seeing these photos together helps me to see how squishy I drew my head, my eye isn’t looking in the same direction, and it’s too wide open. Scary.

On the trail at the museum visit

Drawing while sitting isn’t a smart thing to do. I end up with weird perspective. Would have been better if I stood up so I could see what I was doing. I made my head too long and the angle is wrong, but hey, it’s the process! This painting is an elongated me. The product was not the goal, it was to just work.

Since I figured out that my year of 100 paintings is coming to a close next week or so, I’ve been trying to paint more twenty minutes pieces. Each of my affirmation cards for the Blast Off class count as a painting, right? Add this one and I was up to #53. Still, not getting near 100. Why not just go ahead and paint anything? I might do this again on larger paper to get the proportions right. Hope I don’t scare myself.

It’s okay to take liberties in art. Does it really matter if the likeness is exact? Don’t think it is. The way Picasso painted his subjects nobody could really look like any of his abstract figures. So I can make believe this is a kind of abstract. Yeah, that sounds good.

Process people! Move it. Paint. Work. Try. Try it again.